Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email required Address never made public. Name required. Follow Following. Sign me up. Already have a WordPress. In brief, the committee concluded that. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.
Built on the Johns Hopkins University Campus. This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless. Institutional Login. LOG IN. CEA Critic. A few years ago, I served as an outside reader on a dissertation that examined the history of performance-based Shakespearean pedagogy. Welles and Hill contributed a short essay to The English Journal expressing their disdain for trends in the teaching of Shakespeare: In attempting to make our study of literature scientific and analytical we have merely made it dull.
Education in the 20th Century In the current conversation about educational change, it is customary to recount the Prussian model of education that was ushered into the United States with the gathering momentum of the Industrial Revolution. And since this is the Bard, the many deceptions and disguises are doomed to unravel, leaving all involved to discover the truth behind the lies — and while some will be pleased, others are bound for disappointment.
Live theatre, even outdoors, is a daunting undertaking right now. One might find themselves watching, wondering about distance and personal contact — this is a physical show, after all. There are still moments that feel … off, but for the most part, a more positive message reigns. Gerow is a sharp-tongued, imperious Kate, fiery and passionate, haughty but not snobby. She radiates strength and wields her wit like a rapier, even as the battles she chooses to fight change.
Roach counters her with a roguish charm, finding ways to approach unlikeability without ever crossing the line. Some of the best scenes in the show revolve around their verbal ripostes with one another most of all, though they take aim at other targets as well.
Natalie Lisnet is a sweet, charming delight as Bianca, the Platonic ideal of the younger sister, but Lisnet also manages to project the keen intellect beneath the sunny demeanor.
Brangwynne is a dynamic presence as Lucentio, bringing big and welcome energy every time he steps on stage. Schreiber and Guare breathe life into their respective scheming as Gremio and Hortensio, while Fisher is appropriately put-upon as Baptista.
And really, the world could use a little taming right now. The Maine Edge. All rights reserved.
0コメント